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・ Jacques Daléchamps
・ Jacques Damala
・ Jacques Danois
・ Jacques Daoust
・ Jacques Daret
・ Jacques Daroy
・ Jacques Dars
・ Jacques Datin
・ Jacques Dauphin
・ Jacques David
・ Jacques David (court clerk)
・ Jacques Davidson
・ Jacques Daviel
・ Jacques Davy Duperron
・ Jacques de Baerze
Jacques de Baroncelli
・ Jacques de Bela
・ Jacques de Bernonville
・ Jacques de Billy
・ Jacques de Billy (abbot)
・ Jacques de Bourbon
・ Jacques de Bourbon-Busset
・ Jacques de Bourgogne
・ Jacques de Béthencourt
・ Jacques de Caso
・ Jacques de Chambly
・ Jacques de Champlain
・ Jacques de Chevanes
・ Jacques de Châtillon
・ Jacques de Claeuw


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Jacques de Baroncelli : ウィキペディア英語版
Jacques de Baroncelli

Jacques de Baroncelli (25 June 1881 – 12 January 1951) was a French film director best known for his silent films from 1915 to the late 1930s. He came from a Florentine family who had settled in Provence in the 15th century, occupying a building in the centre of Avignon then called the Baroncelli Palace (now the Palais du Roure). His father's side of the family were of Tuscan origin and part of the Ghibelline tradition, and they were hereditary Marquises of Javon. Though somewhat aristocratic, the family spoke Provençal, which was rather controversial at a time when it was considered to be a language of the common people. His brother was Folco de Baroncelli-Javon,
He directed well over 80 films between 1915 and 1948 and in the 1940s released numerous films in the United States and Italy. One of his films, a version of the Pierre Louÿs novel ''La Femme et le pantin'' (1928) was filmed in the experimental Keller-Dorian color process.
==Selected filmography==

* ''Roger la Honte'' (1922)
* ''Nitchevo'' (1926)
* ''The Duel'' (1927)
* ''Nitchevo'' (1936)
* ''S.O.S. Sahara'' (1938)
* ' (1940)
* ''Le Pavillon brûle'' (1941)
* ' (1943)
* ''The Sea Rose'' (1946)
* ' (1948)

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